Author Archives: editor

(HVBA) One reviewer noted of Audie Blaylock that he “puts music before image.” If you’ve seen the cover of his latest album, Hard Country, you’ll see some of the truth of that statement: this is one of the best albums of 2012, and it has one of the worst album covers.

(HVBA) Whenever I approach the music of Jim Lauderdale I find myself reconsidering that question that we’ve all mulled over at one time or anther: Just what is bluegrass, anyway?

(HVBA) It’s pretty much impossible to discuss John Driskell Hopkins without discussing Zac Brown, and there are a number of reasons for that. Brown, though still young, is one of those people who has more energy than any single person rightfully should—he’s a Grammy winner, he’s run a restaurant, tours incessantly, is a father ofContinue reading “John Driskell Hopkins and Balsam Range, “Daylight””

(KDHX) Lots of people might look at this list might say, “Who are all these people?” In roots/Americana music, and at my house, they’re stars. These albums are examples why.

Published in the Kruger Brothers Newsletter, December 2012. It’s one of the great stories in the history of fretted instrument building in the US: In 1970 Sam Radding began a small manufacturing shop to serve a local community of musicians in the greater San Diego area. Small, unassuming, not a little bit rag-tag, it wasContinue reading “The Deerings and the American Dream”

(KDHX) Tender Is the Night is the fifth solo collection from Old Man (Chris) Luedecke, and it feels like some of the musical ideas he’s been working with are really beginning to gel. His writing has always been very strong, remaining true to the roots of American folk and country music, though dealing with modernContinue reading “Old Man Luedecke’s “Tender is the Night””

(KDHX) In 2000 Tim O’Brien and Darrell Scott released “Real Time,” a gorgeous album of duets by two complete masters of instrumentation, arrangement, and performance. Beautiful. Then they toured it, and pretty much immediately demonstrated that there was a dimension to their playing that the recording lacked; it was a studio piece, and didn’t entirelyContinue reading “Tim O’Brien and Darrell Scott’s “We’re Usually a Lot Better than This””

(HVBA) Partnering with an orchestra seems to be the thing to do these days. Bela Fleck did it last year with his concerto, as did the Kruger Brothers, as did Ricky Skaggs with the Boston Pops a few years ago, as did Cherryholmes before they disbanded. It’s easy to wonder what the impulse is. TheContinue reading “A Fiddler’s Holiday, Jay Ungar and Molly Mason Family Band”

(HVBA) While “The Hills of Alabam” is a new release, the material all dates from the early 1980s or thereabouts—it’s a compilation of material from two Front Porch String Band albums (the only ones that were ever released) with the one exception being “The Day that Lester Died” which comes from Mark Newton’s album “FollowContinue reading “Claire Lynch, “Hills of Alabam””

(KDHX) I think it’s probably safe to say that this album won’t appear on many year-end best of 2012 lists this year, likely because it’s really a kind of teaching tool: a presentation of the pieces that O’Connor included in his fiddle method books. O’Connor is interested in building a sound fiddle teaching method basedContinue reading “Mark O’Connor and Rieko Aizawa, “American Classics””

(KDHX) The things we desire in the fall—the movies we want to watch, the soups we want to cook, the music we want to hear—are expressions, I think, of what we want the fall to be. For me, if summer is the colouring outside the lines of the Grateful Dead—what I think of as quintessentiallyContinue reading “Music for the fall: Art Tatum and Ben Webster”

(KDHX) I’m not certain that this is Herring’s best album to date, and then again I’m not sure that it isn’t. But what I am sure of is that it continues, beautifully, what she has been up to since her first solo release, “Twilight,” in 2001. Herring writes, it would appear, because of a desireContinue reading “Caroline Herring’s “Camilla””

(KDHX) As I listen to this new collection, which is just as good as anything he’s done in his career if not better, I can’t help wondering why Smither isn’t better known. In 2006 he released the glorious “Leave the Light On,” with a title track that feels like an instant classic (though, in aContinue reading “Chris Smither’s “Hundred Dollar Valentine””

Liner notes from the Kruger Brothers’ 2012 release, Best of the Kruger Brothers In the liner notes to the album Forever and a Day Uwe wrote that, “When we began our career in 1975, nothing could have prepared us for the journey that lay ahead.” As we approach the 40th anniversary of that beginning, itContinue reading “Kruger Brothers’ “Best of the Kruger Brothers””

(KDHX) So much of the traditional, roots, and country songbook, is about death, family, and God, with likely an over-representation of the latter. Ralph Stanley, both with his brother Carter and later in his solo career, seems to rarely about much else, though I don’t think we’d call him a gospel artist. And while I’mContinue reading “Kelly Joe Phelps “Brother Sinner and the Whale””

(KDHX) You never know, but Steve Spurgin’s Folk Remedies might be the best album of 2012.  We could probably argue at length, if we wanted to, about what makes good music good. Despite the fact that we all have different tastes, different opinions, we feel in our bones that we can recognise good music whenContinue reading “Steve Spurgin’s “Folk Remedies””

(KDHX) Bela Fleck is great. Now if only he could swing. “Across the Imaginary Divide” is another foray for Bela Fleck into jazz, coupling with a pianist much as he has done with Chick Corea in their live shows and on their CD “The Enchantment” (2007). The trio is filled out by Rodney Jordan onContinue reading “Bela Fleck and the Marcus Roberts Trio “Across the Imaginary Divide””

(KDHX) “Rotten Taters” is, unbelievably, the first solo release from a mandolinist that, despite playing Carnegie Hall and the White House, simply should be more widely known than he is. There are lots of reasons for making albums, and Mike Compton’s Rotten Taters is one that was made for the best reason of all: becauseContinue reading “Mike Comptons’ “Rotten Taters””

(KDHX) If you’re looking for a hidden gem, “Home from the Mills”–by bluegrass veterans Jimmy Gaudreau and Moondi Klein–is it. Both artists, while lesser known, have been in the A-league of bluegrass music for decades, playing in bands with lots of names you know well: Bela Fleck, Tony Rice, JD Crowe, Mike Auldridge, the CountryContinue reading “Jimmy Gaudreau and Moondi Klein’s “Home from the Mills””

Reviewed for KDHX Radio, St. Louis “Who’s Feeling Young Now?” will prove to be one of the most respected, lauded, challenging and influential works of the year. But that doesn’t mean you’ll like it.   This is a band that I admire immensely, and there is no doubt that their talent is simply staggering. AsContinue reading “Punch Brothers’ “Who’s Feeling Young Now?””

For KDHX Radio, St. Louis In “Beat the Devil and Carry a Rail,” his latest solo release, Noam Pikelny has created a moving, playful collection that features so much top-flight playing it can make your head spin. Pikelny’s main gig these days is as banjo player for the Punch Brothers, a band that he co-foundedContinue reading “Noam Pikelny’s “Beat the Devil and Carry a Rail””