Author Archives: editor

It’s hard to be new, which is why people so often are new in all the old ways. The three musicians here are being new in the way that Pete Seeger’s folk process describes: taking what you have and doing something of your own with it. Admittedly there are more paints in the box theseContinue reading “3hattrio, “Lord of the Dance””

This live set was recorded in 1963, and while Doc turned 40 that year, he was still growing into his solo career. Club 47 was in Harvard Square in Cambridge, MA, a club that Ralph Rinzler was associated with. Watson went there at his urging, as did so many of the greats that Rinzler broughtContinue reading “Doc Watson, “Live at Club 47””

“The year didn’t happen how we thought it would,” says Andrew Laite. While that’s the case for all of us, it’s particularly true for him and Josh Sandu, who perform as Rube & Rake. They began the year with a new album, “Leaving with Nothing,” intending to tour it for five weeks in the west,Continue reading “Rube and Rake”

This isn’t a perfect album, and one of the problems with it is that it’s too short. We’re used to albums being a certain length, and while shorter collections are fine, they’re not optimal. There’s not enough time or breadth to really settle in, assuming that you still listen to recordings as albums rather thanContinue reading “Corn Nut Creek, “Feels Like Travelling Home””

Will Carter, the founder of Clifftop, perhaps the premiere old-time festival in the world, has said that old-time music is about “that tradition of participating in the art. It’s not about a stage.” Of course, there is a stage at Clifftop, though, true to the concept, it’s the participation that people go for—dozens of circlesContinue reading “Erynn Marhshall and Carl Jones, “Old Tin””

“Not Our First Goat Rodeo” is a follow up to 2011’s “Goat Rodeo Sessions,” which won a Grammy Award for best folk album in 2013. Which seems a bit unfair to all those folk musicians out there, because I’m not sure it’s really folk music, exceptional as it is, but also because all the playersContinue reading “Not Our First Goat Rodeo”

There has always been a streak of rebellion running through the musical world, with artists seeking to be new and different. Bill Monroe was one of those, and frankly, so was Mozart, though it’s perhaps hard to see from our vantage point. Some are angry different, like Jimi Hendrix shredding the US national anthem atContinue reading “If you haven’t heard Twisted Pine’s “Right Now,” here’s why you need to”

A few years ago, when Dori Freeman released her debut, self-titled album, it seemed that she had sprung, fully formed, from the head of Zeus. Well, this album, on which she participates, fills in the blanks. Willard Gayheart is her grandfather. As the titled of the album suggests, they’re at home, just hanging and picking.Continue reading “Willard Gayheart and Friends, “At Home in the Blue Ridge””

Throughout her career Caroline Herring has regularly looked to literary sources for her writing. Her companion discs of 2010, “Silver Apples of the Moon” and “Golden Apples of the Sun,” gain their titles from a Yeats poem, “The Song of Wandering Aengus.” In 2011 she released an album of songs retelling a children’s story, “TheContinue reading “Caroline Herring, “Verse by Verse””

Joe Troop was born and raised in North Carolina, where he learned bluegrass; he later moved to Argentina, where he taught it. With three of his students he formed Che Apalache: Pau Barjau (banjo), Franco Martino (guitar) and Martin Bobrik (mandolin). They play bluegrass spectacularly, and clearly know the traditions backward and forward and backContinue reading “Che Apalache’s, “Rearrange My Heart””

The Foghorn Stringband was founded more than 15 years ago, and their origin story is as charming and unexpected as the music that they play. Sammy Lind is from Minnesota, and Caleb Klauder and Reeb Willms are from Washington state, one from the farmland in the east, the other from the coast. They started playing AppalachianContinue reading “Checking in with the Foghorn Stringband”

While there have been other recordings that document Doc Watson’s early years as a performing musician, they tend to shine a light more directly on him as a stage performer, which of course is what he became. This recording, Doc Watson and Gaither Carlton, distinguishes itself in some key ways. It’s earlier, for one—it’s Watson’sContinue reading “Doc Watson and Gaither Carlton”

One of the reasons that the Harry Smith anthology of American Folk Music was such a sensation when it was released in 1952 was that it demonstrated that, to a nation watching “I Love Lucy” and listening to Jack Benny, there were more voices out there than they perhaps realised. That, in essence, it wasContinue reading “Jake Blount, “Spider Tales””

“The good thing about playing music,” says Greg Cahill, “is that you feel good a lot of the time, because you get to play music, and make a lot of great friends, and meet a lot of nice, really good people.” Cahill founded The Special Consensus in 1975, and if there is a guiding principleContinue reading “The Special Consensus, “Chicago Barn Dance””

Natalie MacMaster is one of those artists that is described from time to time as a national treasure. She is that, but she’s a local treasure, too. There’s a video online of her going to play at Glencoe Mills Hall on Cape Breton with Bela Fleck in tow. The music, of course, is fantastic, thoughContinue reading “Natalie MacMaster, “Sketches””

(KDHX) It’s perhaps easy to underestimate the impact that Doc Watson has had over the course of his career, in part because of the ways we choose to express it. We like superlatives—first, longest, fastest, best. He’s credited as the first to play fiddle tunes on guitar, and certainly he’s been influential in that regard,Continue reading “The long journey of Doc Watson”

For Penguin Eggs Everything about this album is an absolute, unqualified, unbridled delight. It’s four women who live in Boykin, Alabama, and take part in a quilting tradition that began in the 19th century. They sing while they quilt, and the songs are polished just as the needles are, through endless passes through the fabricContinue reading “Gee’s Bend Quilters, “Boykin, Alabama: Sacred Spirituals of Gee’s Bend””

For Penguin Eggs Frank Solivan spent much of his youth in Alaska, which perhaps accounts for his range of talents. He is a hunter, a fisherman, a poet. He plays guitar, violin, and mandolin. He writes songs, sings, and is the leader of Frank Solivan and Dirty Kitchen, the IBMA band of the year inContinue reading “Frank Solivan and Dirty Kitchen, “If You Can’t Stand the Heat””