Author Archives: editor

(For Penguin Eggs Magazine) Natalie MacMaster is one of those artists that is described from time to time as a national treasure. She is that, but she’s a local treasure, too. There’s a video online of her going to play at Glencoe Mills Hall on Cape Breton with Bela Fleck in tow. The music, ofContinue reading “Natalie MacMaster, “Sketches””

For Penguin Eggs Everything about this album is an absolute, unqualified, unbridled delight. It’s four women who live in Boykin, Alabama, and take part in a quilting tradition that began in the 19th century. They sing while they quilt, and the songs are polished just as the needles are, through endless passes through the fabricContinue reading “Gee’s Bend Quilters, “Boykin, Alabama: Sacred Spirituals of Gee’s Bend””

For Penguin Eggs Frank Solivan spent much of his youth in Alaska, which perhaps accounts for his range of talents. He is a hunter, a fisherman, a poet. He plays guitar, violin, and mandolin. He writes songs, sings, and is the leader of Frank Solivan and Dirty Kitchen, the IBMA band of the year inContinue reading “Frank Solivan and Dirty Kitchen, “If You Can’t Stand the Heat””

Women in bluegrass—unfortunately, sadly—get short shrift. Ask about the greats, and you’ll open the floodgates for a lot of testosterone. That said, women have long been doing great work and, while often enough, have actually been acclaimed for it. Much of what we think of as bluegrass guitar—a rhythm with a melody picked within it—isContinue reading “Missy Raines, “Royal Traveller””

There is no piece of music, and for that matter no musician, that exists alone. Music, by its very nature, is call and response, each person adding their voice to an ongoing conversation. Some people can see a bit further down the road, or skip a couple rhetorical steps, and those are the people weContinue reading “David Benedict’s “The Golden Angle””

It’s easy to wonder about the attraction bluegrass bands have to working with orchestras, but it’s a trend that doesn’t seem to be dying anytime soon. Cherryholmes, Daily and Vincent, Michael Cleveland—the cynic might feel that it’s a desire to grant respectability, and what better way to do it than to sit in front ofContinue reading “Balsam Range, “Mountain Overture””

In the world of magic there are the big stage illusions—cutting a person in half, making an elephant disappear—and there is table magic—cards, coins, cups and balls. The two are both thought of equally as magic, but they are of such different orders as to be different undertakings entirely. But to the connoisseur, the closeContinue reading “Chris Coole, “The Road to the River””

I’m not sure why I love this recording so much. We like to talk in superlatives whenever given a chance, and it’s not the best of anything, or the most skilled, or the most telling. It’s just, well, lovely. The voices are beautiful, the thoughts quietly moving. The playing doesn’t jump out at you, butContinue reading “Clay Parker and Jodi James, “The Lonesomest Sound that Can Sound” “

(For Penguin Eggs magazine) Chris Coole often comments during shows that the Lonesome Ace Stringband—a trio that includes John Showman (fiddle) and Max Heineman (bass)—formed out of a brunch gig. There’s some tongue-in-cheek in that, though there’s some truth in there as well. The three did actually start playing formally together for a brunch gigContinue reading “Brunch with the Lonesome Ace Stringband”

(For HVbluegrass.org) Some songs, like Tom T. Hall’s “I Love,” unintentionally demonstrate that there’s a fine line between sincerity and satire. Some people maybe find the song to be a simple presentation of a complex idea. Others, Bob Dylan among them, think of it derisively as the “little baby duck” song:  I love little babyContinue reading “The Grascals, “Before Breakfast””

The Wailin Jennys is one of those groups that causes lots of people to fall all over themselves with praise. And they’re absolutely right to. Truly, you can’t say enough good things about them. It starts here: “One Voice.” Their latest release will cause lots of praise too, just as it should. When I heardContinue reading “The Wailin Jennys, “Fifteen””

Remember Josh Graves? How about Tut Taylor? Or Paul Franklin? For anyone other than guitar geeks the names conjure something like memories, if not quite formed enough to warrant the term. They are all steel guitar players, meaning they played guitars with a piece of steel. Slide players. Which means that they were side players,Continue reading “Andy Hall and Roosevelt Collier, “Let the Steel Play””

One of the delightful moments is this recording is in the 5th track, when both segue into a lovely take on Bela Fleck’s “Big Country.” It’s a tune he’s presented himself a lot, most notably within the “Live from the Quick” release. It’s not as challenging as some of the things he does, which makesContinue reading “Bela Fleck, Abigail Washburn, “Echo in the Valley””

When people who are really into wine talk about wine they don’t tend to speak in generalities, but rather a whole range of specifics. They talk about the hints of this and that, the various notes of such and such. Seeing people talk about these things on TV, it seems it’s not just descriptors. TheyContinue reading “Volume Five, “Milestones””

You’ll be forgiven if you groan a bit when you see the track listing of this new release from Jim Kweskin and Geoff Muldaur, “Penny’s Farm.” Like right there. Did you breathe out a bit, an almost imperceptible sigh, just then when I typed “Penny’s Farm”? Did you have flashbacks of John Cohen talking aboutContinue reading “Jim Kweskin and Geoff Muldaur, “Penny’s Farm””

This is a brilliant release in all kinds of ways. Musicianship, arrangement, recording. Each one of those is wonderfully on display. It’s there in the details, such as the strings entering on “Only in My Mind,” and then the pizzicato, or the way she sings the word “Barcelona.” There are harmonies added to isolated phrasesContinue reading “Courtney Marie Andrews’ “Honest Life””